Sunday, March 8, 2009
New Fashion Tips
SHIRTS WITH SUITS
The variations in design, cut, and cloth, such as two- and three- piece, or single- and double- breasted, determine the social and work suitability of the garment. Often, the man's suit is worn, as is traditional, with a collared shirt and necktie.[3] Until around the 1960s, as with all men's clothes, a hat would have been also worn when the wearer was outdoors. Suits also come with different numbers of pieces: a two-piece suit has a jacket and the trousers; a three piece adds a waistcoat; further pieces might include a matching flat cap.
Originally, as with most clothes, a tailor crafted the suit from his client's selected cloth, a process known as "bespoke". The suit was custom made to the measurements, taste, and style of the man. Since the Industrial Revolution, most suits are mass-produced, and, as such, are sold as ready-to-wear garments (though alteration by a tailor prior to wearing is common). Currently, suits are sold in roughly three ways:
bespoke, in which the garment is custom-made from scratch entirely for the customer, giving the best fit and free choice of fabric;
made to measure, in which a pre-made pattern is modified to fit the customer, and a limited selection of options and fabrics is available;
and finally ready-to-wear, which is least expensive and hence most common.[4]
Fabric:
Suits are made in a variety of fabrics, but most commonly from wool. The two main yarns produce worsteds (where the fibres are combed before spinning) and woollens (where they are not). These can be woven in a number of ways producing flannel, tweed, gabardine, and fresco among others. These fabrics all have different weights and feel, and some fabrics have an S (or Super S) number describing the fineness of the fibres. For hot weather, linen is also used, and in North America cotton seersucker is worn. Other materials are used sometimes, such as cashmere.[7].Silk and silk blended with wool are sometimes used. Synthetic materials, while cheap, are very rarely recommended by experts.[8]
The main three colours for suits work in business are light grey, dark grey, and navy, either with or without patterns. In particular, grey flannel suiting has been worn very widely since the 1930s. In non-business settings or less-formal business contexts, brown is another important colour; olive also occurs. In summer, lighter shades, such as tan or cream, are popular.[9][10]
A man wearing a pinstriped pattern suit
For non-business use tweed has been popular since Victorian times, and still is commonly worn. A wide range of colour is available, including greens, browns, reds, and greys.[11] Tweeds are usually checked, or plain with a herringbone weave, and are most associated with the country. While full tweed suits are not worn by many now, the jackets are often worn as sports jackets with odd trousers (trousers of different cloth). In the US and UK, suits were never traditionally made in plain black, this colour instead being reserved for formal wear[12] (including dinner jackets or strollers). However, the decline of formal wear in recent years has meant that black, as well as being popular in fashionable scenes,[12] such as clubbing, is now also being worn in formal contexts (such as to a funeral or religious function) in place of the traditional more formal wear.
Traditional business suits are generally in solid colours or with pin stripes;[13] windowpane checks are also acceptable. Outside business, the range of acceptable patterns widens, with plaids such as the traditional Glen plaid, though apart from some very traditional environments such as London banking, these are worn for business now too. The colour of the patterned element (stripes, plaids, and checks) varies by gender and location. For example, bold checks, particularly with tweeds, have fallen out of use in America, while they continue to be worn as traditionally in Britain. Some unusual old patterns such as diamonds are now rare everywhere.
Inside the jacket of a suit, between the outer fabric and the inner lining, there is a layer of fabric that has the purpose of letting the coat keep its shape; this layer of cloth is called the canvas.[14] Expensive jackets have a floating canvas, while cheaply manufactured models have a fused (glued) canvas.[15] A fused canvas is less soft and, if poorly done, damages the suppleness and durability of the jacket,[16] so many tailors are quick to deride fused canvas as being less durable.[17] However, some selling this type of jacket claim that the difference in quality is very small.[18] All bespoke suits use a floating canvas.[19]
Shirts with suits
Main article: Dress shirt
The type of shirt worn by men with a suit is a top made of woven cloth, with long sleeves, a full-length buttoned opening down the front, and a collar. This type of garment is known in American English as a dress shirt but simply as a shirt in other English dialects. This type of shirt is sometimes called an Oxford shirt; however, this properly refers to a shirt made from a specific kind of fabric, namely Oxford cloth, in a specific style (i.e., with button-down collars). The (dress) shirt is ironed, neatly tucked into its wearer's trousers, and otherwise worn according to the etiquette described in the article Dress shirt.
The classic shirt colours are light blue or white, with white considered most conservative. However, numerous colours and shades are available, with pastels particularly popular in America, though less-formal colours are not always acceptable. The most formal type of dress shirt worn with a standard suit is a shirt with linked, but not French, cuffs, which are closed using cuff linksor silk knots instead of buttons. However, this type of shirt is optional, and essentially up to the preferences of the wearer and the vagaries of fashion.
The most traditional collar is a spread collar. This is frequently the default collar type for French cuff shirts, though they can sometimes be found with point collars. Normally, button-down collars are reserved for casual use with a sports jacket or without a coat at all, though they have long been acceptable in America. The button-down collar is not seeing as much wear today, particularly with the resurgence of more formal shirts with spread collars and French cuffs, even in business.
Saturday, March 7, 2009
BEST DESIGN OF DRESSES
LOVELY DESIGN:
If Ms. Chapman, a former actress, likes the sensational, Vera Wang has a thing for such abstract notions and textures that it occasionally lands her in a puddle of fabric. This was not one of those times. Her collection, shown Thursday to a pared down crowd of editors and retailers in her SoHo store, was very appealing — well crafted, engaging and right for the moment.
Sraight-line shirt dress:
Ms. Wang’s provisional muse was Peggy Guggenheim, an ugly woman who embraced Wilde’s maxim that, “One should either be a work of art or wear a work of art.” She sewed Cocteau’s pubic hairs to a bedsheet. Ms. Wang did not pursue motifs of that kind. Her opening dress — a straight-line shirt dress in black moirĂ© organza with a wrinkled cotton bib — may have been the best. It was so simple. Fortuny’s Venetian crinkles inspired the texture of several of the tank dresses, as well as a green cotton shirt worn with black stretch pants and a black matte corset.
T-shirt dresses:
Modernist embroideries on T-shirt dresses were well done. Occasionally Ms. Wang was full of herself, as with a sad sack of a black coat puffed over a royal-blue gazar skirt. But the charm of the collection came through in the shifts, the papery organza volumes and a lovely, vaguely louche robe de chambre in navy viscose. Oscar de la Renta’s collection was strong on suits, in gray and plum wool tweed and in a fuchsia and black diamond-patterned alpaca. Most were belted and shown with metallic accessories. The sleek dressiness of swagged flannel skirts and silk twill pants was offset with sporty pieces like an animal-print parka in silk taffeta, long fur vests and terrific knits. Evening looks included one-shoulder columns in leopard chiffon and velvet with satin.
NEW JACKETS
If the collection felt a bit stodgy and old hat — or old hair, considering the models’ stately heads it may be that Mr. de la Renta thinks his customers will buy cautiously, looking for
Like a lot of designers, Jack McCollough and Lazaro Hernandez of Proenza Schouler seemed to be thinking harder about the women they dress. This collection included some terrific two-tone coats in solid wool or tweed; their slouchy shape, with a step-back collar, will make a statement amid the more conservative coats. The designers also had skinny wool or leather shorts (shown with ribbed tights and chunky tapestry shoes) and sexy, slim-fitting wool pants that young women will love.
But while some of their proportions and layers were interesting, rounded skirts in nubby wool with scalloped hems looked clunky. That might have been the desired effect, but combined with the rest of the oversize layers — well, you wonder if the lady has central heating.